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Bite Work
© » KADIST

Eamon Ore-Giron

Film & Video (Film & Video)

Eamon Ore-Giron’s new commissioned video project Bite Work, is an experimental genre breaking video that is part-performance, part-conceptual and part-comical addressing issues of mediation, surveillance and trust. The main characters in the video wear traditional dance masks of “La Chonguinada” rituals from Peru and attempt to dance while being bitten by trained attacked dogs. Through this act, the dogs simultaneously become sculptural obstacles and dancers.

Walking on the roof of hell
© » KADIST

Birender Kumar Yadav

Installation (Installation)

Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana. The forests were felled and immigrants from northern Bihar and South India were brought to exploit the mineral resources. The Indigenous people were then dispersed to live nomadically, engaging themselves as seasonal workers in farms and industries.

Erased Faces
© » KADIST

Birender Kumar Yadav

Drawing & Print (Drawing & Print)

Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana. The forests were felled and immigrants from northern Bihar and South India were brought to exploit the mineral resources. The Indigenous people were then dispersed to live nomadically, engaging themselves as seasonal workers in farms and industries.

False or True No. 3
© » KADIST

Li Gang

Sculpture (Sculpture)

False or True No. 3 by Li Gang consists of two components. The first is a machine designed by Li that uses a pump to collect moisture from the air.

Being and/or Time
© » KADIST

Ken Okiishi

Film & Video (Film & Video)

Ken Okiishi’s work Being and/or Time consists of every image taken with Okiishi’s iPhone over the period of three years in his hometown of New York. Flickering in chronological order at 24 images per second with 25,000 images in total. A visual diary of the digital age it simultaneously stages the city itself as a time-­image continuously remade by its own resident-­users.

The Mermaids, or Aiden in Wonderland
© » KADIST

Karrabing Film Collective

Film & Video (Film & Video)

The Mermaids, or Aiden in Wonderland by Karrabing Film Collective is a surreal exploration of Western toxic contamination, capitalism, and human and non-human life. Set in a land and seascape poisoned by capitalism where only Aboriginals can survive long periods outdoors, the film tells the story of a young Indigenous man, Aiden, taken away when he was just a baby to be a part of a medical experiment to save the white race. He is then released back into the world to his family.

Nepal-China Railway Project: Fantasy or Reality?
© » KADIST

Köken Ergun and Satyam Mishra

Film & Video (Film & Video)

Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017. The BRI is a strategy that was set forth by China in 2013 to expand its influence by building a network of economic corridors around the globe. BRI projects in Nepal include the Kathmandu-Kerung Railway, the Galchhi-Rasuwagadhi-Kerung 400 kilovolt transmission line, the 762 megawatt Tamor hydroelectric dam, and the 426 megawatt Phukot Karnali run-of-the-river hydropower project.

8 Possible Beginnings or: The Creation of African-America
© » KADIST

Kara Walker

Film & Video (Film & Video)

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.

Impossible Accomplishment or the power as addition of seductions 2
© » KADIST

Marcelo Cidade

Photography (Photography)

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him. He captures incongruities or everyday simplicity and highlights their suggestive power. The composition and framing of these interventions specially emphasizes the object of interest and the humor of the context.

Pest Control 1110, 709, 428 (or, a Myth for Another)
© » KADIST

Tan Zi Hao

Installation (Installation)

Tan Zi Hao produced Pest Control 1110, 709, 428 (or, a Myth for Another) , in response to the Bersih social movement, that catalyzed three rallies on 10th November 2007, 9th July 2011 and 28th April 2012, respectively, to demand a clean electoral roll. Tan Zi Hao’s work is a commentary on the Bersih protest movement; “Bersih” is the Malay word for “clean” and the movement was an important precursor to the changes in Malaysia following the 2018 elections when the Barisan Nasional coalition lost power for the first time since the country’s independence in 1957. Najib Razak, the prime minister ousted in those elections and the focus of some of the biggest demonstrations during the Bersih movement was sent to prison in 2020 after being found guilty of massive theft of public funds.

Search for the origin of the work of art or on the way to Heidegger’s cabin
© » KADIST

Maria Bussman

Drawing & Print (Drawing & Print)

The drawing “Heidegger’s Cabin” (2005) is inspired by Martin Heidegger’s essay, “The Origin of the Work of Art.” During the artist’s stay in a high alpine area, near a lake reservoir, Bussmann related the landscape in her surroundings to her reading of Heidegger’s terms on the work of art and the meaning of a “thing.” In attempt to link spiritual heights to natural heights, Bussmann metaphorically relates the subjects of being and truth to a hiking path, and its different degrees of challenge and risk. In the drawings rather than finding the optimal path to reach ultimate meaning and materialization, Bussmann never arrives at “Heidegger’s Cabin,” and instead is led off the beaten track to areas she never discovered before. Upon her return from the mountains in 2004 and 2005, she continued to develop the series, leading up to 20 drawings on handmade paper that attempt to problematize Heidegger’s theory on artworks as “things” as bearers of traits, “things” confronting the world of perception, and “things” as formed matter.

Western Wild … or How I Found Wanderlust and Met Old Shatterhand
© » KADIST

Martha Colburn

Film & Video (Film & Video)

Martha Colburn’s film, Western Wild … or How I Found Wanderlust and Met Old Shatterhand , about the famed German author Karl May weaves together a mixture of stop motion animation, travelogue and biography that generates a kind of sensory wanderlust. Conflating past and present, the film investigates issues of identity and representation, as well as violence and war. The artist considers imagination as an invitation to dream, in order to disrupt the limitations of the everyday context and widen her viewers’ horizons.

#17 Pink
© » KADIST

James Welling

Photography (Photography)

#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.

YUMA o la tierra de los amigos (YUMA, or the Land of Friends)
© » KADIST

Carolina Caycedo

Photography (Photography)

YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic. The mural contrasts and mixes multiple layers of these satellite images capturing the progressive devastation of the El Quimbo dam on the Yuma river (Magdalena), in the Department of Huila. The project was originally produced for the 8th Berlin Biennale, and developed out of the artist’s research into waterways, their political and cultural impact, and their historical development.

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

Sculpture (Sculpture)

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist. Both of those interests feed deeply into his artistic practice, which ranges from workshops, dialogues, and exchanges to environments, drawings, and sculpture. Metaphors of the presence or conversations at the speed of light (2012) is a sculpture of a lightbulb that the artist altered.

9000 PIECES
© » KADIST

Euan Macdonald

Film & Video (Film & Video)

The video 9000 PIECES by Euan Macdonald was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing. As the shot widens it reveals the process we see unfold: a piano being vigorously tested by a factory machine designed to determine the endurance of the instruments. Contrary to what is often relayed, the work has nothing to do with Chinese factories or fast changing global economies.

Calvin Warren calls it an 'ontological equation'/or methods of estimating the odds to rise in the coming centuries
© » KADIST

Kameelah Janan Rasheed

Photography (Photography)

Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W. E. B. Du Bois’s iconic data portraits in The Exhibit of American Negroes . This was a landmark exhibit within the Palace of Social Economy at the 1900 World’s Fair in Paris that demonstrated the progress of Black Americans through the visual display of quantitative sociological information.

Wall Window or Bar Sign (Insanity is Doing the Same Thing Over and Over and Expecting Different Results)
© » KADIST

Mungo Thomson

Sculpture (Sculpture)

Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous. Thomson is referencing the lore that Nauman’s work (the first of many neons he’d make in the following years) had been inspired by a neon beer sign found in a corner-store in San Francisco that he used as his studio in the late 60s. This particular work has a self-critical subtext, as it also suggests the act of using another artist’s work, in an endless spiral of influence, is akin to a form of insanity.

Suspension
© » KADIST

Sebastián Díaz Morales

Film & Video (Film & Video)

In Suspension a young man is hanging in the air, falling, or perhaps drifting through time and space. There is no special or definite way to understand it. And it is in this construction where Morales envisions the world as an endless void, or timeless gravity, that we fall deeper and deeper into our own humanity.

Stowe
© » KADIST

James Welling

Photography (Photography)

Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it. Although Welling’s approach to photography is more conceptually oriented than poetic, the resulting image in Stowe (a direct photogram of a crumpled piece of cloth) somehow resembles a curtain, perhaps suggesting that an artificial even fictive component in photographic representation. While the curtain might echo other imagery, Welling’s approach is not allegorical but rather abstract in a way that reinforces the materiality of the object.

Action 26:15
© » KADIST

Leonardogillesfleur

Film & Video (Film & Video)

Of Action 26:15 leonardogillesfleur notes: “There is almost an ice-cream store in every corner of Buenos Aires. The family [in the video] is having an ice-cream in the hot summer afternoon. Small tics appear on people’s faces from a fly or the attempt to hold still while the ice-cream top melts or drops off its sugar-cone.”

Bad innovation in the name of protection (Gulf Style)
© » KADIST

Kristof Kintera

Sculpture (Sculpture)

Bad innovation in the name of protection is not a ready-made, but was made entirely by the artist, representing a stroller. Its interior is shielded and designed for babies in the case of conflict. Camouflaged, it resembles a small tank.

Knotty Spell in Windy Drapes
© » KADIST

Haegue Yang

Sculpture (Sculpture)

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work. Following Haegue Yang’s 2010 anthropomorphic series Medicine Men, this sculpture appears as a shamanic objet or being. It is mobile and can be activated.

Make Down
© » KADIST

Dennis Adams

Film & Video (Film & Video)

The video Make down is a 34 minute sequence shot that shows the artist removing make-up in front of a mirror. The peculiarity of the scene consists in two symbolic details: first, the make-up itself, covering his face, hair and torso – a thick kaki layer, reminding of military camouflage – and second, the paper used to remove the make-up – black and white prints of stills taken from Gillo Pontecorvo’s 1965 film, “La bataille d’Alger” ( The Battle of Algiers). These still images put together recreate a sequence in which a young Algerian woman takes off her veil and puts on Western make-up.

Avenida Corona del Rosal
© » KADIST

Pablo Rasgado

Painting (Painting)

Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior. Rasgado wanders through the urban landscape in Mexico City and other major cities, looking for moments of intrigue in the dirt and debris. He captures these details by extracting materials from the sites and deploying them in the gallery.

Static Field I
© » KADIST

Kamau Amu Patton

Painting (Painting)

Kamau Amu Patton’s painting Static Field I originates from a system of electronic and digital media. The image we see on the canvas was created by pointing a camera into its output—a gallery wall—and subsequently generating a feedback loop. Patton then records the distorted image, digitizes it and prints the file onto unprimed canvas with the help of a machine.

Marcelo Cidade

Zhou Tao

Artist Zhou Tao has a diverse and varied practice, and notably, he denies the existence of any singular or real narrative or space...

Pedro Reyes

Raymond Pettibon

Gabriel Orozco

Roman Ondak

Fang Lu

Fang Lu uses intimacy as a place for self-expression in her videos and draws out mundane moments from everyday life as a strategy to heighten one’s awareness of existence from the rest of the world...

Dennis Adams

Since 1998, through site specific works, often in public spaces, or video works, Dennis Adams focuses on ambiguous characters, condemned by our recent history, revealing traumas or collective amnesia phenomena...

Maaike Schoorel

Based on photographs and domestic environments, Maaike Schoorel’s paintings are charged with an atmosphere of melancholy and loss...

Rivane Neuenschwander

Humberto Diaz

Context is everything when it comes to the work of Humberto Diaz...

Som Supaparinya

Humanity is not ontologically transcendent, artist Som Supaparinya’s work makes adamantly clear: actions energetically create impacts, experience dictated not only by our perceptions but equally the world that surrounds us, tethered inextricably...

Birender Kumar Yadav

Birender Kumar Yadav is a multi-disciplinary artist who experiments with various media including painting, sculpture, photography, installation, etching, found and man-made objects, as well as live documentary...

Abigail Reyes

Abigail Reyes’s work is deeply ingrained in the feminist discourse of Latin America...

Ryan Gander

Brian Jungen

Olive Martin and Patrick Bernier

Patrick Bernier and Olive Martin are a duo of artists collaborating since 1999...

Jedediah Caesar

Tan Zi Hao

Tan Zi Hao is a multi-disciplinary artist who works predominantly with installation and performance art...

Mario Garcia Torres

Kamau Amu Patton

Kamau Amu Patton is a collector of the intangible...

Martin Creed

Kristof Kintera

Kristof Kintera is a major artist of the contemporary Czech scene also with international acclaim...

Laura Henno

Laura Henno was trained as a photographer and studied film at Le Fresnoy – Studio National des Arts Contemporains...

Kara Walker

Pablo Rasgado

Sung Hwan Kim

In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...

Carolyn Lazard

Carolyn Lazard’s practice centers disability and accessibility through sculpture, video, installation, and performance...

Ruby Sky Stiler

Ruby Sky Stiler has established a visual language in which historical periods, art movements, and spatial dimensions readily coexist...

© » ARTSJOURNAL

about 3 months ago (02/11/2024)

Bite me! How Apple’s download chart became a new battleground for pop – and politics | Music | The Guardian Skip to main content Skip to navigation Skip to navigation Megan Thee Stallion and Nicki Minaj: fans have rallied behind them on the Apple Music store...

© » FLASH ART

about 3 months ago (01/29/2024)

Whitney Museum announces the artists participating in Whitney Biennial 2024: "Even Better Than the Real Thing" | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

© » SLASH PARIS

about 3 months ago (01/29/2024)

Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Whitney Biennial 2024 — Even Better Than the Real Thing Exposition Techniques mixtes À venir Biennale du Whitney 2024 © Whitney Biennial Whitney Biennial 2024 Even Better Than the Real Thing Dans environ un mois : 20 mars → 28 avril 2024 Soixante-et-onze artistes et collectifs participent à la 81e édition de la Biennale de Whitney, qui ouvre ses portes le 20 mars 2024...

© » SLASH PARIS

about 3 months ago (01/29/2024)

Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exhibition — Slash Paris Login Newsletter Twitter Facebook Whitney Biennial 2024 — Even Better Than the Real Thing — Divers lieux — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Whitney Biennial 2024 — Even Better Than the Real Thing Exhibition Mixed media Upcoming Biennale du Whitney 2024 © Whitney Biennial Whitney Biennial 2024 Even Better Than the Real Thing In about 1 month: March 20 → April 28, 2024 Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...

© » ARTEFUSE

about 3 months ago (01/25/2024)

Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC - ArteFuse Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...

© » THEARTNEWSPER

about 5 months ago (12/15/2023)

Was Rauschenberg’s grand prize win at the 1964 Venice Biennale a US plot, or just good PR? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Film review Was Rauschenberg’s grand prize win at the 1964 Venice Biennale a US plot, or just good PR? A new documentary delves into the machinations that led to the upstart American artist’s stunning triumph at the art world’s Olympics David D'Arcy 15 December 2023 Share Robert Rauschenberg (right foreground) receives from Italian Minister of Education, Luigi Gui (left foreground), the top prize for the best foreign painting at the Venice Biennale in 1964 Associated Press / Alamy Stock Photo In 1964, the American artist Robert Rauschenberg was awarded the grand prize at the Venice Biennale....

© » WHITEHOT

about 5 months ago (12/12/2023)

Art Basel Miami Beach's 21st Edition Marks a Milestone in the Fair's History advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Art Basel Miami Beach's 21st Edition Marks a Milestone in the Fair's History Miami Beach Mayor Steven Meiner, left, and Art Basel CEO Noah Horowitz at the opening press conference on Wednesday...

© » ARTSJOURNAL

about 5 months ago (12/12/2023)

Happy to be a heretic | Helen Joyce | The Critic Magazine Happy to be a heretic Difference is not betrayal and opinions are not violence Columns Columns December-January 2024 By Helen Joyce Share Slice 1 This article is taken from the December-January 2024 issue of The Critic...

© » THE GUARDIAN

about 5 months ago (12/11/2023)

Drive-by culture: monuments you can see by road, rail or water | Architecture | The Guardian Skip to main content Skip to navigation Skip to navigation The Soviet monument on Mount Buzludzha is the biggest ideological building in Bulgaria...

© » BROOKLYN STREET ART

about 6 months ago (10/26/2023)

The Yok & Sheryo: “Yeahnahnesia” A Mystical Land and Guide | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY In the realm where imagination dances with audacity, Yok & Sheryo, the dynamic duo hailing from the crossroads of New York, Australia, and Asia, have conjured up a whimsical masterpiece, aptly titled “Yeahnahnesia.” Published in collaboration with the Art Gallery Western Australia, this book is a memoir and fantasy of creativity and storytelling that makes a reader question the boundaries of reality and fiction...

© » ARTNEWS REVIEWS

about 7 months ago (10/11/2023)

A Quiet Luxury Vibe Pervades the Art in LA’s Blue-Chip Galleries – ARTnews.com Skip to main content By Janelle Zara Plus Icon Janelle Zara View All October 11, 2023 1:00pm Steve McQueen’s sculpture, Moonlit (2016), inaugurates Marian Goodman’s luxuriously spacious new Hollywood gallery...

© » LARRY'S LIST

about 19 months ago (10/18/2022)

Invest time now to decide where your collection goes, or if it's divested, donated or given to your heirs after you die....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

The Pérez Art Museum Miami (PAMM) has added eight artworks by artists represented by Miami-based galleries to its permanent collection, the largest number of works purchased by PAMM’s Collectors Council in a single session...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

‘They See What We Would Never Be Able to See’: Bay Area Collector Wayee Chu on What Venture Capitalists and Art Collectors Have in Common - artnet news...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

An Italian law firm is now looking into whether the owner of the four fake collector accounts committed any possible crimes....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Kendall Jenner has revealed her Beverly Hills home, stacked with art by James Turrell, Tracey Emin, Lauren Greenfield, and more....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Arlene Schnitzer, Oregon Philanthropist And Art Collector, Dies At 91 - via Oregan Public Broadcasting...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Artists have earned more than $1.6 million on SuperRare, a blockchain-based platform for collecting one-of-a-kind digital art....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Drawing is generally a more affordable medium than painting or sculpture, and provides unique insights into artists’ processes....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Agnes Gund, Patron and Advocate for Underknown Artists: ‘We’ve Caught Up With Aggie to Some Degree’ - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

For dealers and auction houses, the challenge will be maintaining their collector bases throughout the pandemic....

© » SFMOMA OPENSPACE

about 30 months ago (11/23/2021)

Mystery Zone, or A Lotta Endings : Open Space November 23, 2021 Mystery Zone, or A Lotta Endings by Poetry Collaborations with Creative Growth They lived happily ever after And then the sun came up And then the sun go down The couple is riding off into the sunset The End They threw a pie at the shark, the end “We’ll have to do this again sometime” “See ya later, turkey!” “I have a train to catch” My hero! Good night and God bless We’re closed! Take and catch an airplane Keep in touch, never come back!...

© » ARTNOME

about 31 months ago (10/28/2021)

Back Up Your NFT Art or It Could Disappear — Artnome Menu Blog Exploring art through data using the Artnome database...

© » ARTS EQUATOR

about 35 months ago (06/05/2021)

OIWA - The Ghost of Yotsuya: Primal story of love, or the failures of it | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Arts House Limited June 5, 2021 An epic set, an epic story, and epic four years of painstaking training is one way to describe The Finger Players’ OIWA – The Ghost of Yotsuya, an aching horror story that retells the classic tale of vengeance revolving around a jilted woman...

© » ARTS EQUATOR

about 52 months ago (01/21/2020)

Pico Iyer and Raffles Hotel, or the Nowhere Hotel | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Derek Shapton; Epigram Books January 21, 2020 Celebrated writer Pico Iyer spent fifteen days in Singapore last August doing a residency at the newly reopened Raffles Hotel as its first official writer-in-residence...

© » ARTS EQUATOR

about 55 months ago (11/07/2019)

Rage or Loss: Women in Photography 2019 | Remedy For Rage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles November 7, 2019 By Elaine Chiew (1,050 words, 6-minute read) Now in its fifth edition, Objectifs returns with its annual showcase in the Women in Film and Photography series...

© » ARTS EQUATOR

about 60 months ago (06/06/2019)

Go Big or Go Home: “Displaced Persons’ Welcome Dinner” Takes Flight | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Checkpoint Theatre June 7, 2019 By Helmi Yusof (1,387 words, six-minute read) Why do people choose to go into poor, dangerous, war-torn countries to work as humanitarian workers? Do they have boundless courage, hope and kindness? Do they have a death wish?...

© » ARTS EQUATOR

about 67 months ago (11/04/2018)

Truth or Dare with “Lear is Dead” by Nine Years Theatre Thinking and Talking about Arts and Culture in Southeast Asia Articles November 5, 2018 By Teo Xiao Ting (1,069 words, six-minute read) After a gleaming heap of corpses dissipates into the afterlife and comes back for a closing bow, Lear is Dead ends with the quiver of revelation...